The Special Two
Picture me - doing seven on the treadmill (that's a slow jog), the wed after the long weekend (30 hours out, 16 of them at Manacle), tired but happy and staring at the large screen playing MTV video clips - then it comes on.
The Special Two - the live version. Although it is not as good as the studio version, with that heart-wrenching clip, and that perfect soul-breaking sound, I am f**ked. It hits me like an anvil - the love, the desperation, the "bleeding" romance, the GOD-DAMN-DRAMA of it all. And I am taken back three years or so, or even longer, maybe even to the time of Ani Difranco (what a fucking dyke stereotype!) Back to the times when everything was overwhelming and strange, life was unfolding, drugs were new, we went to rallies, we got way too drunk and did really crazy shit. There were so many parties, and wandering through the streets singing.
Anyway.
Regardless of her status (I am still dublious about any claims that she is actually a lesbian - Melbourne is full of deceptively gay-looking straight people) Missy Higgins has this thing.
I'm not what it is, but it's something about being in the prime of your emotional life, still full of passion and marvelous hurt. Not cynical and good-hunmoured like us gay trash-bags.
Give me a pill, a bag of go, twelve of so beers, and a good dj line-up and you can have your bleeding hearts, your soul-shaking passions, your intense and private one-on-one struggles.
But as I notice one little tear drop from my eyes (which are glued to the over-sized screen) and fall onto my sneakers, I thank Missy Higgins in my head for reminding me - I am not dead to emotion, I alive to music.

